antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

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Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 8th September 2020: DAY 162

9/8/2020

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New Painting, "White from the depths Near Black", oil & resin
on plywood block, 150 x 150 x 36mm.

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"White from the depths Near Black" is the latest new painting in the 'Near Black series' painted on plywood blocks. This branch of the series successfully fuses my expressions of painting and art with my research into colour theory and the objecthood of a painting whilst continuing to reference my love of landscape as an expanded field.

So I've spent quite a lot of time with this painting on the easel over the last couple of days. The first thing that I decided about it was that the actual painting process was completed, that came as no great surprise to me, I had been fairly sure about that facet of the problem all along. What was the problem, as I really had been aware was how to title the piece in such a way so as to both relate it to my ongoing project but also to describe, or 'talk' about, the painting as an individual. I knew that a big part of the title had to relate to the colour palette, hence the working title 'palette', but I also wanted something that spoke about the layers of paint and not just their hues. as I looked at and thought about the piece I realised that it was the 'depth' of layers that made this painting both work on it's own right but that also differentiated it from 'White Water'. I liked the fact that the idea of depth obviously could once again be thought of referring to water but that it also referenced the illusionary space of the the painted depth.

Once all of these ideas had come together in my mind it was a simple matter of playing with the order of the words to arrive at the rather pleasing "White from the depths Near Black".
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact