antony clarkson
  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact
Tension, The Holden Gallery
​Manchester School of Art
​Manchester, UK, 2009.


Once this idea of affecting a space and how people use it was born for me, I began to take more time to consider how people utilise spaces but without really being aware of them. My site-specific installations/interventions are often ways to make anonymous spaces speak for themselves in that, as far as possible I employ pre-existing features of a space which I then define, enhance or exaggerate.
'Tension’, although it includes the addition of a ‘foreign’ material, the cling-film, is a good example of how I attempt to make a space speak, or in this case shout, by disrupting people’s daily usage of it. The Holden Gallery, although being an active and popular art gallery, is also a central space and busy thoroughfare around which many university departments and offices are arranged. Navigating the space are many desire lines connecting the shortest routes from As to Bs; to dislocate and inconvenience these journeys, especially by making an intervention from the most flimsy, transparent and disposable material I could access, would make people both re-evaluate the gallery and its raison-d’etre. The art gallery that people normally walk straight through without a thought, now has a wall across it, a wall which is also a piece of art. A wall made from such a material that, although, in itself, has no intrinsic value and could be swept aside with one finger, must be respected owning to its status as art.
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact