antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

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Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 7th FEBRUARY 2021: DAY 315

2/7/2021

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'The Constant Library',  Volume XVI:
"The Skeleton's Holiday, Leonora Carrington."

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'The Constant Library',  Volume XVI: "The Skeleton's Holiday, Leonora Carrington."

"The idea for 'The Constant Library' follows on from a recent conversation considering which books had, and continue to have, the greatest affect my life in a variety of different ways. These are the books I can't live without and whenever possible I have a copy of with me wherever I travel in the world; my 'Constant Library."

Today has been very much a research day, so it seemed like an appropriate time to return to The Constant Library.

The Skeleton's  Holiday is, for several reasons, an ideal book for inclusion in The Constant Library. The first reason is obviously because of the wonderful, surreal qualitities of the short stories included in this collection. Leonora Carrington may be better know to most people as a Visionary surrealist painter (which is the second reason for the book's inclusion in the library) but when you begin the read her fiction you realise where the imagery in her paintings evolves from. Or perhaps it was the other way around? I suspect that, as with most fertile imaginations, Carrinton's creativity was almost boundless allowing all the areas of her output in influence and be connected to each other. This is the way that I tend to work (my third reason for the book's inclusion) from painting to sculpture to installation, which makes me very appreciative of both the qualities and difficulties of such a practice.

There is actually a forth reason for the book's inclusion in the constant library, which may in some ways be small, but in a way this size is significant; this book is published as part of the series of Penguib Moderns, which are both very affordable, and more importantly as part of The Constant Library, pocket sized.
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact