antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

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Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 29th JANUARY 2021: DAY 306

1/29/2021

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New Painting: "A Sign of Life."
Oil paint on plywood block, 150 x 150 mm

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19, 20, 21: Finding a reason to paint, in search of the sublime. 29th January 2021.
Part 19: 'Interpretation, abstraction, illusion. Describe what you actually see?.'

As I continue with my current series of paintings, I am struck by a certain surreal feeling which they may be beginning to engender. This developing feeling of the uncanny seems to me to be wholly appropriate within the context of my current work as it echoes similar concerns within the question of painting which I began to explore on previous occasions and for the almost identical reasons.  These concerns are of course to do with the spectator’s perception of what they are actually experiencing during their encounters with paintings.

Sometime ago I began to create paintings which exhibited an even greater feeling of the uncanny as a means to challenge the spectators experience into a greater comprehension of the subject and therefore into a more in depth a better appreciation of the subject of painting by challenging them to analyse their encounter via more analytical methods of perception. In doing so I ask spectators to leave behind their preconceptions of what they believed they were perceiving when encountering a painting and to engage with what it is actually doing to them.

To be continued…
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact