antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

​

Picture
Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 28th FEBRUARY 2021: DAY 336

2/28/2021

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New painting: "A Sudden Lightness".
Oil paint on canvas, 610 x 610 mm.

Picture
19, 20, 21: Finding a reason to paint, in search of the sublime. 28th February 2021.
Part 38: 'Interpretation, abstraction, illusion.
An Unsettling Appeal: Insearch of the Sublime.

This grouping of the edited human figure, basically the head and shoulders/torso, combined with the related area occupied by the extended context behind them gives us the most common format of our portrait painting. It of course has also gone on to give its name to the geometrical format of an image referred to as being portrait; an upright rectangle where the vertical axis is long than the horizontal one. So much for now about the portrait.

When in my original note on this subject I listed the three primary forms of figurative painting as portrait, still-life and landscape it possibly made you imagine that I would talk about them in that order; but I’m afraid not. There was a very good reason behind me ordering the painting forms in that way, it will however not become clear until much later in this essay. For reasons which I hope will become much more rapidly clear I am now moving directly from my consideration of the portrait to the nature of the landscape. When I began talking about the nature of the portrait, I used the following two sentences which I will quote here once again because they contain just as much relevance to the nature of the landscape:

“All painting is a form of encounter, and it can be argued that this is particularly true of figurative painting. The observer interacts with the stimulus provided by the painting, firstly as an object; we sense that we have a foreknowledge of what a painting is and may do, even as we approach it from a distance, followed by the stimulus of the image in holds. “

To be continued...
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact