antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

​

Picture
Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 27TH JULY 2021: DAY 485

7/27/2021

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On my easel No 36, working title: 'Perturbations II:
Casting Shadows Within the Void.' Personal Topography Series,
​oil painting by subtraction, 407 x 610 mm

Picture
'On my easel' is a series of posts that I am adding to the Self-Isolation Residency Blog which will consider a current painting which is within days or sometimes hours of completion. This isn't quite the same as 'work in progress' as many of the pieces under consideration in this category may actually be complete already. These are generally going to be works which I am reflecting on for one reason or another and it is these needs for reflection which are preventing me from 'accepting' the work as complete.'

'Perturbations II' working title.

I'm sure I've said this before but I really feel like I'm starting to get somewhere significant with my work. I nearly said my 'new' work but as it's all really part of the same process I'm not sure it's so much new as ongoing.

"Painting by Subtraction."

I say painting but in many ways this process feels like drawing as large parts of the image are formed by allowing the (back)ground colour to not only be visible but significantly so. It's a technique which has evolved over the course of 'The Self  Isolation  Residency', although in many ways it can be argued that it owes its origins to when I first started painting on to a 'black' ground rather than a white one. it also owes a serious 'nod' to the principles of traditional watercolour painting where the white of the paper creates the 'light ' of the image as I do the darkness here. 
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact