antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

​

Picture
Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 23RD MAY 2021: DAY 420

5/23/2021

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The Fourth Wall: Rückenfigur, staffage, spectator or observer?
Where do I stand?

Picture

'Near Black Mirror', oil paint and resin on plywood block, 150 x 150mm, 2020.

Rückenfigur, staffage, spectator or observer?
The ‘accessories’ of an artistic composition (companion). Where do I stand? Part 2.

This question of where does the observer stand in relation to a piece of art is far more complex than it initially sounds; indeed, it can and should also be expanded to include the enquiry into where does the artist stand? But let’s approach each of these facets of the issue separately dealing with the observers position first. Let us begin by considering the observers relationship to ‘painting’, or to any traditional form of two-dimensional artwork as it is conventionally encountered.

When this ‘painting’ hangs on a wall, parallel to that wall’s vertical plane as we would traditionally encounter it, it actually does something much more complex than is at first considered. This painting becomes, what has historically been considered to be, the equivalent of a theatrical proscenium; the oft mentioned ‘fourth wall’ of the stage. The fourth wall is an imagined plane which in theatrical terms is framed by the two sides and top of the proscenium arch and by the stage floor itself. This virtual quadrilateral plane forms the structure not just of paintings but of all two-dimensional framing devices which we may encounter in the world, from the theatrical stage to windows and doors. From our ‘painting’ to TV and all other manner of screens and onto our humble bathroom mirrors.

To be continued...
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact