antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

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Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 23rd FEBRUARY 2021: DAY 331

2/23/2021

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New work in progress. Working title: "Sudden Lightness."
Oil paint on canvas, 610 x 610 mm.

Picture
19, 20, 21: Finding a reason to paint, in search of the sublime. 23rd February 2021.
Part 35: 'Interpretation, abstraction, illusion.
An Unsettling Appeal: Insearch of the Sublime.

Sculpture, as it might be traditionally considered, is a medium which concentrates the attention like no other, but for a rather peculiar reason. As a piece of work a sculpture has no defined background, therefore anything which surrounds it can in theory become a distraction from it. Now, it is true that many renaissance sculptures where created for specific environments, churches, great houses or gardens where their surrounds or backgrounds might be known, considered or, in the best circumstances, controlled; this of course makes such works the forerunners of the contemporary idea of the ‘site-specific’. But even in such settings as these the artist does not have total control over how the subject of his portrait is considered; how often have you been studying a sculpture only to be distracted by another observer doing the same on the other side of the work? Therefore, because of this nature of isolation which sculpture embodies, the observer really must learn to concentrate on the work in question out of a sense of necessity.
 
To be continued...
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact