antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

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Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 21st JANUARY 2021: DAY 298

1/21/2021

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New work in progress. Working title: "A different blue."
Oil paint on canvas, 406 x 610 mm

Picture
19, 20, 21: Finding a reason to paint, in search of the sublime. 21st January 2021.
Part 15: 'Interpretation, abstraction, illusion. Describe what you actually see?.'

Positive versus negative? My current paintings are deliberately walking a line between abstraction and nonrepresentation, probably leaning slightly more towards the abstract but I do believe that this may be changing. However, as this concept and practice of nonrepresentation becomes a stronger influence upon these works, I begin to question how I consider the forms that I am creating within them. Whereas I may previously have considered certain elements of an abstract landscape to be positive or negative shapes, perhaps earth being positive and sky negative for example, I am now left with queries as to how and if these architypes still apply.

If these paintings are truly nonrepresentational then there is no technical reason why the painted forms should be considered as anything more than that, painted forms or perhaps even less, as painted figures, with no suggestion of hierarchy.  

To be continued…
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact