antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

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Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 1st September 2020: DAY 156

9/1/2020

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'The Constant Library',  Volume VIII:
"The King in Yellow, Robert W. Chambers.'

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'The Constant Library',  Volume VIII: "The King in Yellow.", Robert W. Chambers.'

"The idea for 'The Constant Library' follows on from a recent conversation considering which books had, and continue to have, the greatest affect my life in a variety of different ways. These are the books I can't live without and whenever possible I have a copy of with me wherever I travel in the world; my 'Constant Library."

There are short stories and there are short stories. Conan Doyle, Calvino, they were masters of the genre, but so was the little know Robert W. Chambers. Stylistically he was closer to Calvino that Conan Doyle, in that 'The King in Yellow' is a series of some of the most surreal tales you will ever read. The can be judged with confidence along the side of the works of Carrington, Poe, Wells or Verne.

Thinking about these writers makes me wonder what is it about the surreal, or as I now prefer to call these works, Uncanny, that makes the short story form so ideal for them? I'm sure it's partly due to how they impact on our psyche. The Uncanny work draws so much of its strength from the fact that the works are so familiar to us, we know their settings and history so well already; almost! By using such a familiar context as it's background the Uncanny story rapidly establishes in our minds a familiar context with little need for preamble, this means that the true nature of the story can be rapidly created by the sudden jarring of this nature. All we need to know is that what we assumed to be solid ground is just dust beneath our feet.

Chambers colours his dust Yellow, a dark and sickly Yellow, Then he dares you to dirty yourself with that dust as you read it.
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact