antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

​

Picture
Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 19TH JUNE 2021: DAY 447

6/19/2021

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When does a painting start?

Picture

'Somewhere.' oil on canvas, 2015, Antony Clarkson.

Finding a reason to paint, in search of the sublime.
When does a painting start?
 
At what point does a brushstroke on a canvas cease to be merely a brushstroke and become a representation of something, other than an expression of abstract depth? I am asking this question in regard to my own current paintings, although it technically applies to all paintings in the history of the genre. To put this into some kind of context, I am about to begin on a new series of paintings, or perhaps, more correctly, I am about to begin on a new divergence in the development of my current series of paintings, ‘Personal Topographies’. Through this new tangent I intend to begin to explore the notion of personal topographies in a much more surreal way by introducing elements which retain or suggest a greater feeling of tangibility in their relationship to the observer, whilst remaining only just on the boundary of interpretation. By this I mean including elements which perhaps feel familiar to the observer because they conform to universal norms, gravity, light etc., but are in fact totally ‘fantastic’ in their inception. What I am endeavouring to do here is explore this transitory point at which a painted representation attains the character or at least perception of a ‘real object’.

Something else to be considered in regard to this idea is how closely tied to the nature of abstraction the original inquiry actually is?

To be continued...

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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact