antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

​

Picture
Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 15TH JANUARY 2021: DAY 292

1/15/2021

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New painting: "Atmospheric". Oil paint on canvas, 250 x 350 mm

Picture
19, 20, 21: Finding a reason to paint, in search of the sublime. 15 th January 2021.
Part 11: 'Interpretation, abstract, illusion. Describe what you actually see?.'

Historically it could be argued that the illusion of painting has almost been an attempt to trick the eye, trompe-l’oeil, of the spectator into the belief that the image was in fact physical. On the whole, I don’t subscribe to this as a general notion, although it has to be said that there have been instances when that argument may be considered apposite.

Much of the early history of painting revolves around the idea of painting as a form of education by illustration; this holds true for both the, probable, purpose behind early cave painting and it was certainly the motivation for the creation of all devotional art. Painting, and by default drawing, was developed to transmit ideas; it was for millennia the only means by which it was possible to pass any form of educational thesis onto an illiterate populous. Be these notions of where the richest hunting grounds could be exploited or as a method to impart to the masses the ways of the unwritten, or at the very least, the illegible ‘word’ to the illiterate.  

As a devotional art form used to ‘adorn’ sacred spaces it could be argued that painting did inhabit this paradigm of trompe-l’oeil in that the images were unquestionably conceived to edify the attendant flock in the teachings of their, particular, devotion. From this perspective what better way to reinforce these messages that by creating the credible appearance of a deity or spiritual leader emerging from the walls of these seminaries?
 
To be continued…
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact