antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

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Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 11th november 2020: DAY 227

11/11/2020

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Similarities, coincidences and influences.

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Over the last week or so I've been working on a couple of semi-abstract landscapes which contrast the bright, Autumnal oranges and yellows of the landscape against the dark blue and mauves of the Autumn skies. When these paintings came off the easels, they were transfer into my gallery space for me to consider them further. When I brought them through to hang I was immediately struck by their similarities to a painting which I began last year of Saint Mark's Basilica which I began just over a year ago and has once again be hanging in the gallery for me to consider. This is an image of Saint Mark's which I was very fortunate to witness as the last sun of late afternoon illuminated the facade ahead of the oncoming evening storm and I immediately knew that I had to paint that image.
 
And so, I've lived with this image hanging in my gallery throughout my self-isolation; I've walked past it and considered it so many times. The dark wedge of the sky against the bright ochre diagonal of the Basilica contrasted with the light and dark reflections of the wet stone square. The parallels are exact. The sky is the sky. The jagged forms of the Basilica become the rugged outline of the hills. And the shining wet paving becomes the reflective sea and sand.
 
So, are these similarities coincidence or influence? I suspect the latter, but subconsciously. I didn't go out to paint landscapes influenced by this stunning vision I received of the architecture, but perhaps the constant exposure to its visage left an image on my retina or in my memory. Either way, now that I see the equation in full, I can’t help but take influence from in now.
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact