antony clarkson
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The Athole House Studio
Self-Isolation Artist Residency
30th March 2020 - 7th November 2021

​

Picture
Over my career I have taken part in many artist residencies in various parts of the world; I have even organised and run a residency program myself. 2020 has brought new challenges to us all, I however intend to treat these challenges as opportunities. With this in mind today, the first day of my self-isolation having arrived back from my studio in the Untied States last night, I I launch my new blog which will become an integral part of this website as I redesign is over the coming weeks.

Artist Residencies give artists the space and perhaps more importantly the time to make new work; I intend to treat my time in self-isolation in the same way that I would if I were on an artist residency in another studio in another part of the world. Athole House Studio maybe one of my home studios but for me it is a work space, and lets face it, we all now have the time.

THE SELF-ISOLATION RESIDENCY 10th FEBRUARY 2021: DAY 318

2/10/2021

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New work in progress. Working title: "Found landscape."
Oil paint on plywood block, 150 x 150 mm

Picture
19, 20, 21: Finding a reason to paint, in search of the sublime. 10th February 2021.
Part 27: 'Interpretation, abstraction, illusion.
An Unsettling Appeal: Insearch of the Sublime.

I turn at this point to a consideration of my own current work, how it is evolving and what in what way is it functioning? If I am to be considered to be the own guinea pig of my own social experiment, as an artist, I have to remain constantly aware of how I am both affected by my circumstances and also how I express these effects through my art work during the isolation lockdown? If I review all of the work which I have created during this period I find that there is a wide catalogue of subjects and styles; I have experimented with self-portraiture and still-life work as well as with landscape, mainly although not exclusively, through the medium oil painting.
 
Part of me wonders sometimes if the idea of the self-portrait or even the still-life might not be a more relevant way to consider where my psyche is during this time? Surely, a self-portrait involves such a self-reflective baring of the soul, that it should be an ideal subject for exploration during these circumstances? By the same rule, an examination of the items which I chose to surround myself with, and particularly those which I regularly interact with during my isolation, should throw a revealing light upon but my character and how it is dealing with the current situation?  So why has landscape, albeit in its most abstract form, have become the area I find myself expressing myself in most comprehensively?
Perhaps because in their abstractions these paintings are landscapes of my mind?

To be continued...
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Americana
      • Mauve Skies
      • Scotland
      • Selected Drawing & Paintings,
      • The Teaching Years
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact