antony clarkson
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Apophenia:
​An Uncanny Presence.
2022-

Picture
Whilst exploring painted spaces via my Personal Topographies series I was constantly aware that the next development in this painted process would be the introduction of abstract presences. Although I have been using the word presence to denote the manifestations in my work, I am now wondering if it is perhaps the best word to use. If the presence in question is always, pseudo human should I be considering the idea of anthropomorphism instead? Or perhaps in more global terms pareidolia? Or more properly apophenia? ​

To Blog or Not to Blog...

3/13/2024

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Picture

Opus I. The Apophenia Series. Oil on canvas, 101.6 x 76.2cm (40 x 30 inches).

Well it's been over a year since I last posted anything on here. It was never my intention to make this a daily blog like the Self Isolation Residency, but it was certainly supposed to be more frequent than annually! All that aside I an now back and with a new painting, so I guess the answer is...To Blog.! This is the first one based on one of my A/D Sketches produced last year whilst travelling. See below images and details of the sketches, studies and painting. 
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Gel pen sketchbook study.

Picture

Monochrome A/D Sketch.

Picture

Finished A/D Study 006.

2023 became a strange year in many ways, for various reasons I was compelled to lead something of a nomadic existence throughout it. As a consequence of this traveling lifestyle I was removed from my studios for months on end, forcing me to reimagine my practice. Once again, as with the Self-Isolation Residency, 2020-2021, I approached this 'problem' as an 'opportunity' wherein I began to  explore new ways to work while travelling light.

​One of these new approaches has been to create thumbnail studies in a very small sketchbook, primarily using black and white gel pens. Theses were next photographed with my phone whereupon I could continue to develop them, firstly in monochrome before experimenting with colour. These studies were finally conceived as fully fledged digital drawing and 'paintings which I call A/D (Analogue/Digital) Studies.

In the images above I'm showing the development from the sketchbook thumbnail sketch, to an enhanced, monochrome, digital drawing followed by full colour A/D Study. This process shows how I build up layers of digital colour, much as I would with oil paint, as in the completed oil painting, Opus I, at the top of this post. 
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statement
    • cv & education
    • contact