antony clarkson
  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Carved From This Land
      • Photography
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • Second Skin/Second Life
      • Crow
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statements >
      • Antony Clarkson, General Statement, 2012
      • Antony Clarkson, The Apophenia Series, 2025.
    • cv & education
    • contact

Apophenia:
​An Uncanny Presence.
2022-

Picture
Whilst exploring painted spaces via my Personal Topographies series I was constantly aware that the next development in this painted process would be the introduction of abstract presences. Although I have been using the word presence to denote the manifestations in my work, I am now wondering if it is perhaps the best word to use. If the presence in question is always, pseudo human should I be considering the idea of anthropomorphism instead? Or perhaps in more global terms pareidolia? Or more properly apophenia? ​

​How to talk about a painting without saying anything at all Part 18. 'Of Sibllyne'.

2/2/2026

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Picture

'Of Sibylline  Personification'.
Oil on canvas, 37 x 2.5 inches (94 x 70 cms).

How to talk about a painting without saying anything at all Part18. 'Of Sibylline Personification.'

Sibylline: relating to or characteristic of a sibyl; prophetic and mysterious. Mysterious, esoteric, cryptic, impenetrable.



Personification: the attribution of a personal nature or human characteristics to something nonhuman, or the representation of an abstract quality in human form. Manifestation, image, avatar, essence, embodiment.

This is the second piece is part of a triptych that I have been working on for some time. Second? First? Third? There is no definate order to the pieces of this triptych. They all relate but they are also all their own thing. 

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​How to talk about a painting without saying anything at all Part 17. 'Of Enigmatic Essence'.

1/26/2026

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Picture

'Of Enigmatic Essence'.
Oil on canvas,
27.5 x 20.5 inches (70  x 52cms). 

How to talk about a painting without saying anything at all Part 17. 'Of Enigmatic Essence'.

Enigmatic: a person or thing that is mysterious, puzzling, or difficult to understand. Mystery, puzzle, riddle, conundrum, paradox.

Essence: a property or group of properties of something without which it would not exist or be what it is.  Core, soul, spirit, ethos, nature.
​
This has been a very interesting painting for me. Throughout it's creation I have felt it's presence very strongly. Without it being anything specific it really has become something to me. I will actually miss it's presence on my easel, day by day I have looked forward to working on this piece.
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​How to talk about a painting without saying anything at all Part16. 'Of Arcane Semblance'.

1/20/2026

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Picture

'Of Arcane Semblance'.
Oil on canvas, 37 x 27.5 inches (94 x 70 cms).

How to talk about a painting without saying anything at all Part16. 'Of Arcane Semblance'.

Arcane: understood by few; mysterious or secret. Esoteric, abstruse, recherché, inscrutable, cryptic.

Semblance: the outward appearance or apparent form of something. Appearance, guise, pretense, facade. veneer.

This has been an interesting painting to work on. I was so fascinated by how one of my previous paintings, 'Of Esoteric Appearance', functioned that I wanted to experiment with another similar work. There have been times when I wasn't sure that it would 'work', but in the end I'm very pleased with the outcome. Please follow the link to compare the two paintings: 
https://www.antonyclarkson.com/apophenia-an-uncanny-presence-2022/how-to-talk-about-a-painting-without-saying-anything-at-all-part-5-of-esoteric-appearance


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​How to talk about a painting without saying anything at all Part15. 'Of Delphic Persona'.

1/13/2026

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Picture

'Of Delphic Persona'.
Oil on canvas, 37 x 27.5 inches (94 x 70 cms).

How to talk about a painting without saying anything at all Part15. 'Of Delphic Persona.'
 
Delphic: relating to the ancient Greek oracle at Delphi. Typically, deliberately obscure or ambiguous. Ambiguous, cryptic, mystic, obscure.
 
Persona: the outer or assumed aspect of character. A role or character adopted by an author, actor, etc. Character, personality, image, facade, guise.
 
​This piece is part of a triptych that I have been working on for some time. Although I say triptych, the relationships between the 3 paintings work in different ways. All can be thought of as individual paintings, but also as a part of a whole. Their order when exhibited together is also variable, denying any, one painting a greater significance in any perceived hierarchy. These variables have resulted in some challenges regarding the completion of the work.  There has always felt like more, or sometimes less was needed to find a balance. But now I'm definitely there with this piece and not far off with the other two.



​
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​How to talk about a painting without saying anything at all Part14. 'Of Implausible Objecthood'.

12/16/2025

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Picture

'Of Implausible Objecthood'.
Oil on canvas, 37 x 27.5 inches (94 x 70cms).

 ​How to talk about a painting without saying anything at all Part14. 'Of Implausible Objecthood.'

Implausible: 
not seeming reasonable or probable; failing to convince. Unlikely, improbable, far-fetched. questionable.

Objecthood: the state or quality of being a physical object, emphasizing its presence,  Materiality, substancehood, thingness. 

Objecthood, now there is an art word if ever there was one. Although not technically coined by him the word/idea
 gained traction within art theory via Michael Fried's 1967 essay "Art and Objecthood," It is a word that has 'surrounded' a number of my sculptures and installations and now I find it a very appropriate way to consider this series of paintings. I'm not going into more detail at present, (why would I?) but I think I may well be returning to this notion in the near future. 
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​How to talk about a painting without saying anything at all Part13. 'Of Insoluble  Assemblage.'

12/4/2025

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Picture

'Of Insoluble Assemblage.'
Oil on canvas, 37 x 27.5 inches (94 x 70cms).

​How to talk about a painting without saying anything at all Part13. 'Of Insoluble  Assemblage.'

Insoluble:  impossible to solve. Baffling, Impenetrable,  unfathomable,  unresolvable. 

Assemblage: 
a group of persons or things gathered or collected. Custer, mass, aggregation, conglomeration.

This painting has been a journey as they say, both for it and for me. It has had several radical repaintings along the way. I guess in many ways that I didn't have as clear a vision of the piece until right at the end, when after the last revamp it all came together with a rush and I knew exactly where it was. 

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​How to talk about a painting without saying anything at all Part12. 'Of Vague Semblance.'

11/21/2025

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Picture

​'Of Vague Semblance.'
Oil on canvas, 37 x 27.5 inches (94 x 70cms).

 ​How to talk about a painting without saying anything at all Part12. 'Of Vague Semblance.'

Vague: uncertain, indefinite, unclear. Not clearly expressed, known, identified or decided.

Semblance: appearance, guise, facade, veneer. The outward appearance or apparent form of something,

Today I finally post the painting which has been so close to being finished for so long. In the early days this painting began to come together in a rush, so though it was eager for completion. but the last few weeks have been something of a struggle. There was clearly something else that needed to be considered. In the end the time taken for that consideration has now paid off.
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​How to talk about a painting without saying anything at all Part11.'Of Dubitable Embodiment.'

11/10/2025

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Picture

​'Of Dubitable Embodiment.'
Oil on canvas, 37 x 27.5 inches (94 x 70cms).

​​How to talk about a painting without saying anything at all Part 11. 'Of Dubitable Embodiment.'

Dubitable: possible to doubt: possibly not true. Arguable, controversial, contentious.  

Embodiment: 
a tangible or visible form of an idea, quality, or feeling. Representation, incarnation, paradigm. 

I'm not going to say anything about this painting as a representation of anything, but I will say a few words about its journey to this point; it's been tough. As I look at this painting now I can't believe where it has arrived. For anybody who thinks painting, real painting is easy just try it sometime. People joke about brush strokes being torn from an artists soul, I'm not sure I'd go quite that far, but they can certainly test the limits of your endurance. There were times when it felt like it was 'me or it', fortunately we finally came to an agreement. 

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​How to talk about a painting without saying anything at all Part 10. 'Of Perplexing Guise.'

10/31/2025

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Picture

'Of Perplexing Guise.'
​Oil on canvas, 27 x 20.5 inches (69 x 52cms). 

​How to talk about a painting without saying anything at all Part 10. 'Of Perplexing Guise.'

Perplexing: completely baffling or very puzzling. Confounding, mystifying, bewildering, dumbfounding.

Guise: appearance, or manner of presentation, typically concealing the true nature of something. likeness, appearance, semblance, form.

Perhaps its because tonight is Halloween but somehow the word Guise sprang quickly and appropriately to mind when I was considering the title of this painting. Having lived in Scotland I'm very familiar with 'guising'. 

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​How to talk about a painting without saying anything at all Part 9. 'Of Ambiguous Rendering.'

10/21/2025

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Picture

​'Of Ambiguous Rendering.'
Oil on canvas, 37 x 27.5 inches (94 x 70cms).

​​How to talk about a painting without saying anything at all Part 9. 'Of Ambiguous Rendering.'

Ambiguous: open to more than one interpretation. Cryptic, dark, enigmatic obscure.

Rendering: to represent or depict. Portray, show, interpret, execute.

This title really interests me. It has a a relationship to all my work, not just this painting, but I guess they all do. This one feels particularly significant though in terms of some my painting ideas which are currently  being revisited. 
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • Personal Topographies
      • The Self-Isolation Residency
      • Carved From This Land
      • Photography
      • Spatial Paintings 2006-2008
      • Paintings 2006
    • mass >
      • Second Skin/Second Life
      • Crow
      • The Blind Men and the Elephant.
      • Spatial Conceptions 2014 - 2022
      • Painted Objects
      • Autograph
      • The Newtonian Nightmare
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • artist statements >
      • Antony Clarkson, General Statement, 2012
      • Antony Clarkson, The Apophenia Series, 2025.
    • cv & education
    • contact