antony clarkson
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Apophenia:
​An Uncanny Presence.
2022-

Picture
Whilst exploring painted spaces via my Personal Topographies series I was constantly aware that the next development in this painted process would be the introduction of abstract presences. Although I have been using the word presence to denote the manifestations in my work, I am now wondering if it is perhaps the best word to use. If the presence in question is always, pseudo human should I be considering the idea of anthropomorphism instead? Or perhaps in more global terms pareidolia? Or more properly apophenia? ​

Of Essential Enigmatics.

6/10/2026

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Picture

Of Essencial Enigmatics. Oil on plywood panel. 7 x 5 inches (178 x 122 mms). 

Essential: Referring to the fundamental properties or qualities of a thing without which it would cease to exist or lose its defining character. The term evokes notions of essence, core, soul, spirit, ethos, and intrinsic nature.

Enigmatics: Pertaining to that which is mysterious, elusive, or resistant to straightforward understanding. The term suggests qualities of mystery, puzzle, riddle, conundrum, and paradox, inviting interpretation while withholding definitive resolution.
​
The Apophenia Series has generated an expanding vocabulary of abstract motifs that I continue to draw upon throughout the development of these works. As the series has evolved, these recurring formal elements have assumed an increasingly prominent role within its visual language, encouraging a more focused examination of their compositional potential. Recent works have therefore concentrated on investigating the placement, interaction, and spatial relationships of these motifs within individual paintings, exploring how variations in their arrangement can shape visual coherence, tension, and meaning.
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • ​Personal Topographies: Towards Presence
      • Personal Topographies
      • The Self-Isolation Residency
      • Carved From This Land
      • Spatial Conceptions 2006 - 2026
      • Photography
      • Paintings 2006
    • mass >
      • Upsilon: Second Skin /Second Life.
      • Black Knight
      • 10 Tredecillion Teaspoons
      • Second Skin/Second Life
      • Dancing with Scissors
      • April Shower Beaded Curtain
      • Crow
      • Self Portrait with Giant Jenga: Refound Materials
      • The Blind Men and the Elephant.
      • Painted Objects
      • Self Portrait with Giant Jenga
      • Autograph
      • The Shadow of the Waxwing Slain
      • The Newtonian Nightmare
      • A4X2X1M
      • Residuum
      • Sculpture & Plinth
      • Spirituality Levels
      • Engine
      • Still
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Promontories
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
      • Seconds
    • artist statements >
      • plane papers >
        • The Apophenia Series: Artist Statement (Abstract Painting) 2025
      • mass papers >
        • ​On the Nature of Play. Artist Statement (Mass & Volume) 2021
        • Unlikely but Not Impossible. Artist Statement. 2021
        • Second Skin / Second Life: Artist Statement 2026
      • volume papers >
        • Questions and Paradoxes, Enigmas and Wonders. Artist Statement (General) 2012
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • cv & education
    • contact