antony clarkson
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Apophenia:
​An Uncanny Presence.
2022-

Picture
Whilst exploring painted spaces via my Personal Topographies series I was constantly aware that the next development in this painted process would be the introduction of abstract presences. Although I have been using the word presence to denote the manifestations in my work, I am now wondering if it is perhaps the best word to use. If the presence in question is always, pseudo human should I be considering the idea of anthropomorphism instead? Or perhaps in more global terms pareidolia? Or more properly apophenia? ​

​How to talk about a painting without saying anything at all? Part 4. 'Of Inexplicable Disposition.'

8/22/2025

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Picture

Of Inexplicable Disposition.
​Oil on canvas, 37 x 27.5 inches (94 x 70cms).

How to talk about a painting without saying anything at all? Part 4. 'Of Inexplicable Disposition.'

Inexplicable; unable to be explained or accounted for. unexplainable incomprehensible unfathomable impenetrable insoluble. From the Latin 'inexplicabilis', ‘that cannot be unfolded’

Disposition: an inherent qualities of mind and character. temperament nature character constitution makeup'

Obviously I am now faced with the usual problem of what to say without saying anything. But on this occasion I have a jewel in my definitions; 
Inexplicable; From the Latin 'inexplicabilis', ‘that cannot be unfolded’. That cannot be unfolded, I love that, I'm sure it will make it's way into more of my work and ideas
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  • CODEX
    • plane >
      • Apophenia: An Uncanny Presence.
      • Control(s)
      • ​Personal Topographies: Towards Presence
      • Personal Topographies
      • The Self-Isolation Residency
      • Carved From This Land
      • Spatial Conceptions 2006 - 2026
      • Photography
      • Paintings 2006
    • mass >
      • Upsilon: Second Skin /Second Life.
      • Black Knight
      • 10 Tredecillion Teaspoons
      • Second Skin/Second Life
      • Dancing with Scissors
      • April Shower Beaded Curtain
      • Crow
      • Self Portrait with Giant Jenga: Refound Materials
      • The Blind Men and the Elephant.
      • Painted Objects
      • Self Portrait with Giant Jenga
      • Autograph
      • The Shadow of the Waxwing Slain
      • The Newtonian Nightmare
      • A4X2X1M
      • Residuum
      • Sculpture & Plinth
      • Spirituality Levels
      • Engine
      • Still
    • volume >
      • Enso nest
      • Someone else's storey
      • Shower, The Process Residency 2013,
      • Concrete Haiku
      • Atypical
      • The Murder of Crows.
      • Composition in White (Painting), The Breathe Residency:
      • Composition in White (Sculpture), The Breathe Residency:
      • Promontories
      • Floorplan
      • Paper Scissors Rock
      • Pilgrimage
      • The Fifth Column
      • Tension
      • Arch
      • Seconds
    • artist statements >
      • plane papers >
        • The Apophenia Series: Artist Statement (Abstract Painting) 2025
      • mass papers >
        • ​On the Nature of Play. Artist Statement (Mass & Volume) 2021
        • Unlikely but Not Impossible. Artist Statement. 2021
        • Second Skin / Second Life: Artist Statement 2026
      • volume papers >
        • Questions and Paradoxes, Enigmas and Wonders. Artist Statement (General) 2012
    • blogs >
      • The Self-Isolation Residency: Blog 2020-2021
      • Apophenia: An Uncanny Presence. 2022
    • cv & education
    • contact